The Magician’s Nephew (The Chronicles of Narnia), C.S. Lewis (1955)

“Narnia, Narnia, Narnia, awake. Love. Think. Speak. Be walking trees. Be talking beasts. Be divine waters.” Aslan

And the longer and more beautiful the Lion sang, the harder Uncle Andrew tried to make himself believe that he could hear nothing but roaring….And when the Lion spoke and said, “Narnia awake,” he didn’t hear any words: he heard only a snarl. And when the Beasts spoke in answer, he heard only barkings, growlings, bayings, and howlings.

magiciansnephewI read The Lion, the Witch and the Wardrobe (LWW) a few years ago. I liked it and knew I would read the other books in the series. I didn’t know there is, what we would call a prequel, until I struck up a conversation with a woman in a bookstore who is an avid Narnia fan. Apparently, after Lewis published the LWW a friend asked him about the lamppost that appeared out of nowhere and in order to clear that up he wrote The Magician’s Nephew (MN). So does this mean the MN is really the first book? When I looked this up, I found Lewis scholars from the 1950s with various opinions that plague newer scholars and fans alike to this day. Chronological order (Lewis’s preference) puts the MN first. Published order puts it 6th or before the Last Battle the last released title. Being that the MN shows not only the origin of the lamppost, but the creation of Narnia by Aslan and how evil enters the Kingdom of Narnia, I believe chronological order is best. But I am only two books in; not the best authority.

I have to admit though, half way through I was very disappointed in the story. I found it dull, the magic not particularly, well, magical. Digory and Polly, neighbor children who are thrust into the void by the power of the magic rings invented by Digory’s Uncle Andrew land in a world made up of innumerable ponds and woods. Even the world that unleashes the Witch and the evil brought to Narnia did not hold my interest. Only the desire that I read all the titles forced me to continue. And then suddenly, Aslan appears and the book takes a most promising turn.

This world has a hopefulness the other worlds did not. It is a new world without flora or fauna, but that changes as a magnificent and glorious sound pierces the air and the children realize Creation is being sung into being before their very eyes!

There were no words. There was hardly even a tune….It was so beautiful he [Digory] could hardly bear it…Then two wonders happened at the same moment. One was that the voice was suddenly joined by other voices; more voices than you could possibly count….The second wonder was that the blackness overhead all at once, was blazing with stars….a thousand points of light leaped out—single stars, constellations, and planets, brighter and bigger than any in our world….If you had seen and heard it, you would have felt quite certain that it was the stars themselves which were singing, and that it was the First Voice, the deep one, which had made them appear and made them sing….The Voice rose and rose till all the air was shaking with it; the sun rose. You could imagine that it laughed for joy as it came up….the earth was of many colors; they were fresh, hot and vivid. They made you feel excited until you saw the Singer himself, and then you forgot everything else. It was a Lion and stood facing the risen sun. Its mouth was wide open in song….

These passages and the ones that speak about the creation of the animals and other two-legged beings, are the kinds of magic that moves me. Creation being formed out of Song and love and beauty by a Lion who is at once Creator and Sacrifice (LWW). Because, yes, one cannot but help to see that connection. Aslan is birthing the world through the sound of his Voice, bringing forth the first plants, the new starry heavens, the sun and wind and all the animals, birds and beings that will populate this new world.

Out of the trees wild people stepped forth, gods and goddesses of the wood; with them came Fauns and Satyrs and Dwarfs. Out of the river rose the river god with his Naiad daughters. And all these and all the beasts and birds in their different voices, low or high or thick or clear, replied. “Hail, Aslan. We hear and obey. We are awake. We love. We think. We speak. We know.

Aslan tells the animals and other sacred beings to guard and protect the land because evil has been let loose. The Witch followed Digory and Polly into Narnia, but for now she is headed for lands far away and won’t trouble Narnia for hundreds of years. In the meantime Narnia must be made strong. Aslan sends the children on a journey to find the fruit of a special apple tree that once planted in Narnia will reign over it against all evil. When they return Aslan tells Digory to throw the apple a certain distance and it settles into the soft mud. In the morning the tree is big and filled with fruit. Digory is certain an apple from this tree will help his mother’s cancer and Aslan gives him one to take home.

When Digory and Polly return to London, Digory’s mother eats the apple and is cured. Digory plants the core and a tree grows again overnight. As the years pass and the children grow up so does the tree which has a symbiotic relationship with the one of its origin: it wiggles a bit on days when it is windy in Narnia, even when there is no wind in London. But its shaking has weakened its roots, and one wind-filled day in London the tree topples over. Now middle aged and with unfaded memories of Aslan and Narnia and all he saw there, Digory cannot just chop up the tree for fire wood. So he takes part of the tree and builds a wardrobe which he puts in his house in the country….

The passages of Narnia’s creation, vocalizing it into Being, the animals talking to one another and back and forth with the children tick many of my fantasy-girl and spirituality boxes. I am so glad I stuck with this book. And I further learned I wasn’t so far off the mark when I wanted to set the book aside, because the arguments of Lewis scholars who say the books should be read as released, instead of chronologically with MN to be read first, stems partly from the fact that this IS a dull book up until Aslan’s entrance and children (and adults?) might be turned off by the dull first half and not want to read any further.

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My Edition
Title: The Magician’s Nephew
Author: C.S. Lewis
Publisher: Harper Trophy
Device: Paperback
Year: 1955
Pages: 221
Summary