October’s Blogging the Spirit

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Hi All,

I just want to make mention that this month’s Blogging the Spirit will be on the 29th.

Everyone is welcome to share through a blog post, a Tweet, an Insta or wherever your social media lives on any aspect of what inspires your connection to God/Source/Nature/People.

Books, music, art, film, photography, poems, a liturgical passage, a personal reflection. You decide!

Use the hashtag #BloggingTheSpirit on Twitter and Instagram so we can find you. You can also come to this blog on that day and leave the url in the comments of the post I will put up. Go here for more information.

See you on the 29th!

 

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Dracula, Bram Stoker (1897)

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“We are in Transylvania; and Transylvania is not England. Our ways are not your ways, and there shall be to you many strange things.”

 

Reading Dracula was like reading Little Women. Steeped in the film versions, I thought I knew what I would find in the books. Both were a surprise, even though I know films always change things and leave out a lot. When will I learn not to judge a book by a film?

Dracula is told entirely through the journals of four of the six principal players: Mina Murray, whose best friend Lucy Westenra has become mysteriously sick; Johnathan Harker, Mina’s fiancé then husband; the psychiatrist Dr. Seward, who runs a mental institute and Professor Van Helsing of Amsterdam, Seward’s former professor who is an “obscure diseases” specialist. Lucy’s two suitors, Arthur Holmwood, later Lord Godalming and the American Quincey Morris, make up the final six.

There is literally no straight narrative in the structure of the book. Stoker uses detailed journal entries, newspaper clippings, letters, bills of lading to tell the story. I found this to be extremely effective, because by keeping things in the first person, the story has immediacy and suspense as one ‘scene’ cuts away to another and we see how each experience is seen and interpreted in multiple ways. While this device is sometimes distracting or hard to follow here, each character has a distinct and unique voice, which makes it easy to know which character is writing.

Because I am used to film and popular culture portrayals of Dracula I was shocked at how little Count Dracula personally features in the book. In addition to his human persona he shape-shifts into various creatures, but is mostly absent. The book is really about the quest to find and kill him. It is the lore around vampires, the ancient curse that shows up in the superstitious townspeople, the effect of vampire bites on Lucy and Mina and the knowledge Professor Van Helsing has that forms the story.

In film versions, the suave and charming Count is afforded lots of screen time with special effects liberally showcasing his pointed teeth, lips dripping with blood, the (Bela Lugosi’s) famous accent, the bat persona and the abundance of mist whenever he is about to appear. While in these versions he is sometimes portrayed as a sympathetic character in the book he is an evil creature without any redeeming qualities living only to satisfy his evil desires without regard to the human cost.

I was struck by the technological inventions Stoker makes use of that existed at the end of the 19th century.  They remind me of H.G. Wells and Jules Verne and seem to fit right in with today’s Steampunk subculture.

  1. Blood transfusions are given to Lucy as Dracula’s fatal bite causes her body to waste away. Dr. Seward transfuses her with Arthur, Quincey, Van Helsing and himself (without knowledge of blood type?) with limited results.
  2. The typewriter: When it is discovered that Mina is an expert typist, she types up everyone’s journal, in copies, so as to give a cohesive structure as to what each is experiencing; she also types up the notes of their planning meetings.
  3. The dictaphone: Dr. Seward speaks his journal into this machine that records on a record player, which Mina types up.
  4. The London Underground and train schedules: Mina is obsessed with the train schedules of the Underground and suburban/cross country trains and has their timetables memorized.
  5. Hypnotism: In an effort to find the whereabouts of Dracula Professor Van Helsing hypnotizes Mina frequently at sunrise and sunset.

When Dracula flees London for his hometown in Romania, the six follow him knowing they must ritually kill him by stabbing him through the heart and cutting off his head. This is the only way to stop a vampiric future and to save Mina, who although has not ‘changed’ yet, is exhibiting some debilitating symptoms.

As they plan and prepare for their journey in Dr. Seward’s living room, Mina makes a disturbing, but necessary request, of which they all must swear. If she becomes so changed that she poses a threat to herself or to them, they must “drive a stake through me and cut off my head.” And in a scene reminiscent of something out of a Medieval romance where knights on a quest pledge their honor to their lady, the men faithfully drop to their knees one by one and swear, as (“Lady”) Mina asks, to kill her if they are unable to ritually rid the world of Dracula so her soul may rest.

Quincey was the first…He knelt down before her and taking her hand in his said solemnly, “ I am only a rough fellow…but I swear to you by all that I hold sacred and dear that, should the time ever come, I shall not flinch from the duty that you have set us.” And each in turn makes the same vow.

Mention should be made here of Mina. She disparages the ‘New Woman,’ of their independence, their call to buck social convention. Yet, she herself is the prime example of such a woman: smart, intelligent, technologically savvy whose work is key in organizing and pursuing the search for Dracula. It is Mina whose facility with a typewriter and organizational skills, her intelligence and coping mechanism in the face of the horror that is happening to her, her obsession with train schedules that basically saves the day. And apparently, she is also an expert on the the criminal mind through the work of Max Nordau, which Stoker, in a bizarre “show and tell” scene, has her recite his philosophy about criminals in reference to Dracula’s own criminality. The irony of this anti-New Woman aspect about Mina is probably not lost on most readers, so it is curious.

The last quarter of the book does feel to me like knights on a sacred quest to rid the world of evil like Arthur and his knights, or Harry, Ron and Hermione against He-Who-Must-Not-Be-Named, and of all the films and books where ordinary people band together against the darkness that would overcome humanity.

Sadly, unlike the notoriety of these epic stories, this particular one will forever stay with the six, because it is too fantastical. No one would ever believe them.

When we got home we got to talking of the old time—which we could all look back upon without despair… I took the papers from the safe where they have been ever since our return so long ago. We were struck with the fact, that in all the mass of material of which the record is composed, there is hardly one authentic document; nothing but a mass of type-writing, except the later notebooks of Mina and Seward and myself, and Van Helsing’s memorandum. We could hardly ask anyone, even did we wish to, to accept these as proofs of so wild a story.

I didn’t find Dracula scary. I found it hopeful and encouraging. And nothing like the films….

_____________

My Edition
Title: Dracula
Author: Bram Stoker
Publisher: Barnes and Noble Classics
Device: Trade paperback
Year: 1897
Pages: 400
Full plot summary

Challenges: Mount TBR, Classics Club, Back to the Classics, #RIPXII

R.I.P. XII Challenge-Late, but Enthused!

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This challenge always trips me up a bit, because it just doesn’t feel like Fall in September around here and I forget R.I.P. starts September 1st. Though a late arrival, I am not less excited to get into reading for ‘scary October.’

This is the 12th year of the R.I.P. Challenge and I love its simplicity: from September 1st through October 31st read books and/or watch movies that scare you! More specifically, choose from these genres–

Mystery
Suspense
Thriller
Dark Fantasy
Gothic
Horror

Organized loosely (because they are optional), you can choose different ‘perils’ (categories?) to help you feel part of the Challenge.

Andi at Estella’s Revenge and Heather at My Capricious Life host this, where you can get more information and link your blog-post reviews.

I plan to participate in multiple perils as I will be reading and seeing books, novellas, short stories and films, oh my….
Books, Novellas and Short Stories
Dracula, Bram Stoker
Sherlock Holmes vs. Dracula, Loren D. Estleman
“Carmilla” and “Green Tea,” short stories by Joseph Sheridan Le Fanu
“The Call of Cthulhu” “The Shadow Over Innsmouth,” short stories, H.P. Lovecraft
The Italian, Ann Radcliffe

Films
Bram Stoker’s Dracula
The Mothman Prophecies

September in Review

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Just a brief mention of August, because I really enjoyed Austen in August put on by Roof Beam Reader. I made a doable plan for reading and watching some film adaptations and actually completed it. The highlights for me were reading Northanger Abbey and Mansfield Park, both for the first time and watching a film adaptation of Persuasion. I also watched for probably the 4th time, since I own it, the Emma Thompson adaptation of Sense and Sensibility, which I love. I read a lot of blog posts from the many Austen in August participants adding more books to my Austen tbr.

Reviews

cardcatalogLibrary of Congress, The Card Catalog: Books, Cards and Literary Treasures (nonfiction)
Before library catalogs were online there was the card catalog. The publishing office of the LOC showcases some of their holdings with the actual card catalog and the bits of librarian notes that don’t show up in the Internet sources.

GECrucibleMrs. George Sheldon Downs, Gertrude Elliot’s Crucible (fiction)
I thoroughly enjoyed this book and discovering the ‘dime novel.’

 

 

EmilyL.M. Montgomery, The Emily Novels (fiction)
Some of the nature and fantasy elements of this lesser known series by Montgomery.


Creative Activities

#Blogging the Spirit
For this month’s post I shared about practicing Reiki.

King Arthur’s Round Table – I am writing a guest post for WitchWeek that Lory from Emerald City Book Review hosts each year. This year the theme is Dreams of Arthur, and the Round Table has proven a provocative subject!


Other Books Read

oncetimeOnce Upon a Time in the North, by Philip Pullman, 2008
I was alerted to this book by Chris of Calmgrove. If you are familiar with Philip Pullman’s His Dark Materials you will remember Lee Scoresby the aeronaut and the great armored bear Iorek Byrnison (one of my favorite characters). This is the back story of how they met and how they bonded together against a common enemy.

feverFever 1793, Laurie Halse Anderson, 2000
During the spring of 1793, Philadelphia was hit with a devastating yellow fever epidemic. The book centers on 13 year-old Matilda Cook and her family who own a coffee house in the city. The historical outbreak killed five thousand people turning Philadelphia, at that time the nation’s capital, into a ghost town as those who could fled to the countryside.

larringtonnorseThe Norse Myths: A Guide to the Gods and Heroes, Carolyne Larrington, 2017
The telling of the myths and legends from the old Norse sources, history, archaeology, literature. I saw this in the library and had to check it out after just having read Neil Gaiman’s Norse Mythology. This book is for the more historically, primary-source minded, but it is not dry or academic.

naturprinThe Nature Principal, Richard Louv, 2011
Modern men and women, attached as we are to our technology, have forgotten that we need to move, to get outside, that is the real world. “unplug, boot it down, get off line, get outdoors, breathe again, become real in a real world.”


beingdogBeing a Dog: Following the Dog into a World of Smell
, Alexandra Horowitz, 2016
This was such a fun book. Not just about dogs and their incredible nose, but ours, too. And why some humans have better smellers than others, like perfumers and sommeliers.

Looking forward to October

R.I.P. XII
WitchWeek
Blogging the Spirit
Dewey’s 24-hour Readathon

Personal

August and September held some difficult moments for me. As you know, my dad died in April, but his celebration of life was delayed until August 5th. I now understand why that kind of marker is important as it left my mother, sister and myself without a formal closure. But the reason for the delay was a happy one. My dad volunteered at a local animal shelter for many years and upon his passing they decided to name the dog building after him and they needed time to plan the ceremony and commission a plaque. But it was worth the wait. How lucky am I that my dad’s life lives on for such a good cause?

September has been a health-challenging month as it brought me two more skin cancer procedures for basal cell carcinoma, my 5th and 6th, so I have another scar on my forehead and a chunk taken out of my right ear. Both are healing nicely, but kept me from many of the physical activities I enjoy. It is hard sitting still for so many weeks. But there is more to come when my face goes through a procedure called photodynamic light therapy next month. Trying to find some humor in all of this, I noticed from the pictures I have seen, it will make me look like some undead creature for a few weeks, without special effects make up. Maybe I can make some extra money for Halloween!

Animal Reiki

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My Jess after a Reiki treatment. Dogs know bliss, too.

 

Reiki* is one of the elements of my spiritual life. I self-treat everyday and it’s something I want to pursue more deeply.  I love that I have this tool for myself and for all the two- and four-leggeds in my life.

Animals feel pain and pleasure just like people. When you can do something special for your animal pal that you know they love, do it!
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*Reiki (ray-kee) is a spiritual healing practice that balances, relaxes and activates our natural healing processes. I practice it as both a spiritual path and a hands-on healing modality.

 

#BloggingTheSpirit

The Last Sunday of the Month: Blogging the Spirit

Blogging the Spirit: Adventures in Spirituality on the Last Sunday of the Month

 

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How do you connect to God? Are there practices or pieces of art or music or liturgy that evoke this relationship?

Is there a book or poem that ‘gets you’ every time, or a writer who sparks you in those hard moments?

Do you find this connection through trees, the changing of seasons, the cycle of the moon?

 

In a previous post, I discussed the desire to expand my mostly classic literature blog to reflect the variety of books I read. A brief exchange in the comments regarding religion and spirituality has prompted me to create an informal monthly event shared across social media.


Books, Art, Photography, Music, Poetry, Liturgy, Creativity

Some suggestions: a book review, a personal post on a particular practice, share a photo or piece of art. Is there a word or phrase or passage from your liturgy or spiritual books that you find beautiful? Does a particular melody or a song connect you to God every time you hear it?

If you don’t believe in God or religion but you are inspired by life share, too.

Jews, Christians, Muslims, Hindus, Buddhists, Atheists, Pagans, Heathens, Druids, Wiccans, Tree-Huggers, Mother Nature Lovers, Those-Inspired-by-Life. Everyone is welcome!

The Mechanics

We can find each other with the hashtag #BloggingTheSpirit to use on Twitter and Instagram and other social media. I will also put up a connecting post on my blog at 12am (PDT) on the last Sunday of the month where you can use the comment section to share the url to your post.

Please share this post on your blog, Instagram, Twitter, wherever you have social media, if you or someone you know is interested.

On the last Sunday of the month:

~post to your blog or wherever you have social media and use the hashtag #BloggingTheSpirit on Twitter or Instagram
~come here for the ‘connecting post’ which will be my only post on that day and share the url to your offering in the comments
~click on various urls that interest you and make connections

See you on September 24th!
~Laurie

Questions: therelevantobscurity@gmail.com

The ‘Emily’ Novels, L. M. Montgomery

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The Flash

It had always seemed to Emily, ever since she could remember, that she was very, very near to a world of wonderful beauty. Between it and herself hung only a thin curtain; she could never draw the curtain aside—but sometimes, just for a moment, a wind fluttered it and then it was as if she caught a glimpse of the enchanting realm beyond—only a glimpse—and heard a note of unearthly music.

The moment came rarely—went swiftly, leaving her breathless with the inexpressible delight of it. She could never recall it—never summon it—never pretend it, but the wonder of it stayed with her for days….

 

I discovered Anne of Green Gables as an adult, somehow missing this whole wonderful world as a young girl. A friend who knows me well bet me I would like the Emily of New Moon series better. I thought, sacrilege!, but she is right. I have become completely enamored with what Montgomery does with fantasy and Nature. And while it blooms in Anne, it is a starburst in Emily.

Anne Shirley personifies trees, forests, flowers and springs. Emily Byrd Starr does the same, but in addition, she also has The Wind Woman and the flash. These latter two are supernatural and fairy-like reminding me of the innocent childhood inventiveness that we are supposed to grow out of, but that many of us Will Not Ever.

Though I live in an urban area, coyotes roam the streets and nap on the greens, all kinds coyote1of raptors fly through the air, I watch water birds gracefully hunt their breakfast at the river and jump when raccoons and possums dart through the bushes. They remind me to whom this land really belongs. I love to imagine all sorts of things about them. I love my crepe myrtle tree in the front yard and consider it my protector and I call an incredibly large, gnarled old tree down the street, Grandfather. I don’t know if any of this is weird, normal or if I need therapy, but I think this is why I am so drawn to the spiritual fey of  L. M. Montgomery.

Just last night I was reading a favorite passage from Emily Climbs. It has all the elements of imagination, connection to nature and creative thought Montgomery does so well. Though Emily is walking home alone in the middle of the night, she is really being escorted along the way by an incredible cast of non-human characters.

As she walked along she dramatized the night. There was about it a wild, lawless charm that appealed to a certain wild, lawless strain hidden deep in Emily’s nature—a strain that wished to walk where it would with no guidance but its own—the strain of the gypsy and the poet, the genius and the fool.

The big fir trees, released from their burden of snow, were tossing their arms freely and wildly and gladly across the moonlit fields. Was ever anything so beautiful as the shadows of those grey, clean-limbed maples on the road at her feet?

And it was easy to think, too, that other things were abroad—things that were not mortal or human. She always lived on the edge of fairyland and now she stepped right over it. The Wind Woman was really whistling eerily in the reeds of the swamp—she was sure she heard the dear, diabolical chuckles of owls in the spruce copses—something frisked across her path—it might be a rabbit or it might be a Little Grey Person: the trees put on half pleasing, half terrifying shapes they never wore by day. The dead thistles of last year were goblin groups along the fences: that shaggy old yellow birch was some satyr of the woodland: the footsteps of the old gods echoed around her: those gnarled stumps on the hill field were surely Pan piping through moonlight and shadow with his troop of laughing fauns. It was delightful to believe they were.

Emily is a young writer and crosses the line between fantasy and reality on an almost daily basis, by which she is jeered at and criticized by her reality-based family. It never daunts her, though, no matter how hot the teasing. She is secure in how she sees the world, which is my lesson. She is my role model.

 

Trail walking with Jess
Trail walking with Jess in a magical gum grove.

 

______________________

Montgomery, L. M. Emily Climbs. New York: Bantam, 1993. First published in 1925 by Frederick A. Stokes Co.

 Montgomery, L.M. Emily of New Moon. New York: Harper and Row, 1993. First published in 1923 by Frederick A. Stokes Co.

 

Gertrude Elliot’s Crucible, Mrs. George Sheldon Downs (1908)

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Prison bars are not the only barriers to man’s freedom, there is a bondage that is far more intolerable—the bondage of one’s own evil passions and self-will.

 

The Dime Novel

Gertrude Elliot’s Crucible is considered an American ‘dime novel’ for working and middle class women. Dime novels in the late 19th and early 20th centuries were usually serialized weekly in inexpensive pamphlets or printed in magazines.

In fact, I came to find out the author, Mrs. George Sheldon Downs (Sarah Elizabeth Forbush), was an extremely popular writer of serial romances for Theodore Dreiser and his Smith’s Magazine. She serialized 47 romances between 1880-1889 and Dreiser considered her one of the most popular writers in the world.

The Fall of Gertrude Elliot. And Everyone Else
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“Gertrude! How can I ever atone for what I have done?”

Gertrude Elliot has just been informed by Daniel Dexter, an old friend of her late father who is handling her estate, that all her money is gone. He used it to pay off his son’s debts and lost the rest in bad investments trying to recoup the money he stole. Her mother’s terminal illness strained the finances to the extent that Gertrude is now destitute and must sell her house to make a good show of faith to the creditors.

Gertrude was told by her father that she would inherit a large sum of money and the family home and is mortified over what Mr. Dexter has revealed. He is humiliated at what he has done to her and tells her he is prepared to be arrested for fraud and robbery. But the shock of humiliating him further by sending to jail her father’s longtime friend is too much and she refuses to call the police. Dexter is humbled at this show of generosity and is resolved to pay her back. When his son, Robert, arrives the next day and hears what happened, he is so remorseful and realizes how much he is to  blame for Miss Elliot’s destitution he, too, makes a vow to repay his father for the money used for his debts. A few days later, Robert informs his father that a friend has asked him to assist him in his fruit business and he is leaving for California right away.

With nowhere to go, Gertrude visits an old friend on Long Island, who has been asking her for a visit. Phronie is her family’s former housekeeper. While Gertrude doesn’t tell Phronie the details, she reveals her dire financial situation and asks her for help. She reminds Phronie how she used to follow her around helping in the kitchen and with simple jobs throughout the house. “Surely, I could go out to work for a family as a head house keeper?”

Most of the action, then, takes place at the home of her new employer, Mrs. Young and her two teenage daughters. Mrs. Young has reservations with Gertrude’s age and lack of experience, because she isn’t much older than her daughters. But Mrs. Young has recently let go of an incompetent head housekeeper who left a dirty house, a chaotic schedule and a slovenly staff in her wake. She is desperate to fill the position and is swayed by Gertrude’s competence, kindness and willingness to work hard as is the skeptical cook and maids. Only the head butler has reservations and his bad attitude continues until he is let go.

Gertrude never lets her bad luck affect her moral compass. She stays positive and accepts that this is her fate. She doesn’t let petty squabbles or negative thoughts steer her down an evil path like so many of the people she is surrounded by. In fact, it is just the opposite; her compassion and genuine love for all she meets makes people see their calculating and self-centered acts, embarrassed to even to think bad thoughts!

It is as if she is put in these situations to make people better. Robert Dexter, will change his wild ways, learn the fruit trade and come back to New York on a promotion to supervise the fruit business from that end. And when he is surprised by a large inheritance from an aunt, he gives it all to Gertrude. When the butler, who has hated Gertrude from the beginning and wants her out, schemes against her to make it look like she is stealing Mrs. Young’s jewels and furs, he gets caught. Gertrude asks that he not be punished as his unsuspecting mother is coming to live in a little house he bought for the two of them. She tells him, “I cannot bear to have her come and find you in prison,” at which point he breaks down in sobs.

And finally, the oldest of the Young children, Hugh Spencer (from a previous marriage), was a college classmate of Robert Dexter and has held a revengeful rage against him all these years, which grows when he finds out Dexter and Gertrude are old family friends and maybe more.  He has found the means to ruin both Robert Dexter and his father and has been waiting to witness their fall. But Gertrude, upon hearing such fury and anger in the plan presses upon him the importance of love and justice, which challenge his devious revenge.

…every time one yields to temptation to do wrong one is weakened, morally and spiritually; and, Mr. Spencer, until you learn to substitute love for hate, honor for dishonor, justice for injustice, you will never attain the standard of true manhood. When you do this you will find that you have no enemy upon whom you desire to be revenged…It is not my theory; it is no human axiom; but it is the command of One who said—‘Thou shalt love they neighbor as thyself.’

 

Good Wins!

Gertrude Elliot’s Crucible is very much a morality tale. The high principles of love, justice and honor that Gertrude unwaveringly lives her life allows all she comes into contact with to be affected by these highest of ideals and in turn shine them on to others. Though people do bad things to each other, they lie, they steal, they hold incredibly long resentments bent on revenge that eat them up for decades, no one is unredeemable.

This was a complex novel full of intricate story lines and complicated relationships. I am inspired to read more of these novels and to research their affect on those who read them.

And in case you want to know, everyone who falls is raised up and everyone finds love in the end, including Gertrude.

I can honestly say, if I lived during this serialization I WOULD be waiting each week for the next installment!

______________

 

My Edition
Title: Gertrude Elliot’s Crucible
Author: Mrs. George Sheldon Downs
Publisher: G.W. Dillingham Co.
Device: Hardcover
Year: 1908
Pages: 308

Challenges: Classics Club

The Card Catalog: Books, Cards, and Literary Treasures, The Library of Congress (2017)

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Opening a drawer and flipping through the well-worn cards, many handwritten and filled with marginalia containing valuable information not to be found in an Internet search, leaves one with a sense of awe at how catalogers distilled so much information onto simple 3-by-5 index cards that still sit neatly filed, waiting to reveal the treasures hidden in the hundreds of miles of Library stacks on Capitol Hill.

 

 

 

The library card catalog. I spent my college career rifling through those long drawers, sticking pencils between cards to save my place when class notes or a professor’s recommendation drew me to another drawer. I remember having to wait when another student was in a drawer I wanted, impatient while they jotted down the title of the material and its location. I took my book-hoard to ‘my’ study carrel on the second floor next to the vine covered east windows where the sun dappled the desk. I did a history degree with the card catalog, volumes of the ‘subject index’ and an electric typewriter!

The Card Catalog: Books, Cards, and Literary Treasures traces the history of the card catalog and the various methods of organizing library materials, while celebrating the creation and the vast holdings in The Library of Congress.

History

It is fascinating to think that even though we are highly digitized at this point, we still use the same, but expanded foundation Zenodotus, the first librarian at the library of Alexandria developed when the proliferation of scrolls needed some kind of organization. After inventorying the scrolls and arranging them alphabetically he attached a tag at the end of each scroll to indicate the author, title and subject.

Once people started writing on velum and bound the pieces together at one end and put a cover on them creating a codex or book, it made better use of space. One could write on both sides of the material, number the pages and put information on the spine making for quicker reference.

 

A Library for a Nation

The Card Catalog details the evolution of the Library of Congress, the trials and tribulations of deciding what books to purchase (James Madison had an idea), how to collect and purchase them (British firm of Cadell and Davies), how the War of 1812 damaged most of the nascent collection and what the purchase of Thomas Jefferson’s private library did to expand the future of the collection.

While still an undergraduate at Amherst, Dewey was obsessed with bringing order to the school’s library, and he recounted that while day dreaming during a long lecture one day, “without hearing a word, my mind absorbed in the vital problem, the solution flasht over me so that I jumpt in my seat and came very near shouting ‘Eureka!'”

Into the early years of the 19th century, there still remained the problem of standardization, but that changed when Melville Louis Kossuth Dewey developed his classification system which was adopted at the first meeting of the American Library Association in 1876. To make it easier for public and university libraries, the ALA Supplies Department became the shopping source for all materials related to the card catalog. So, with Dewey’s system in place and a one-stop shop for cabinets, cards, stamps and so on libraries and a patron’s experience were standardized.

By the 1950s, the main card catalog at the Library of Congress had more than 9 million cards. As computers came on the scene and began to digitize this data December 31, 1980 was declared the end of the printed card.

The text of this book is written by Peter Devereaux of the the Library of Congress Publishing Office. The narrative is fast paced, colorful and full of photographs that help the reader visualize the history of the card catalog from the discovery of the of the first card catalog made from clay tablets (a listing of 62 literary works, including The Epic of Gilgamesh) up to the present with online catalogs available in every public, private and university library.

Highlighting materials from its collection, each item has its cover photographed on one side with its catalog card on the opposite page. Many of the cards are handwritten with information not found on the Internet when the cards were digitized. It was fun, instructive and a bit nostalgic to read through this book.

For me the card catalogue has been a companion all my working life. To leave it is like leaving the house one was brought up in. Barbara Tuchman, 1985, The New Yorker.

 

Some examples below.

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English Bible. Selections, 1788. The card reads in part, “Select passages in the Old and New Testaments, represented with emblematical figures, for the amusement of youth; designed chiefly to familiarize tender age, in a pleasing and diverting manner….” In other words, keeping kids interested in the Bible is an age-old problem!

 

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This is the title page of the 2nd edition that includes the words, A Romance. My edition, a Signet Classic published in 1980, doesn’t have that either on the cover or anywhere in the front matter. I wonder when that changed?

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The card reads, The library of the late Harry Houdini on magic, spiritualism, occultism and psychical research, bequeathed to the Library of Congress in 1926, may be consulted upon application to the Custodian of the Rare Book Room.
Houdini said his library of psychic phenomena, Spiritualism, magic, witchcraft, demonology and evil spirits contained material going back to 1489. With this bequest, the Library added 3,988 volumes to its collection.

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Some editions are simply gorgeous, like this title-page font for Robert Frost’s Pulitzer Prize winning collection, New Hampshire. The card reads, “Of this edition, three hundred and fifty copies only have been printed. This copy is number 187.” Signed by author.

 

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Another gorgeous cover, but there is no “The Legend of….” on the cover, although the card catalog gives it. Did editions in Irving’s time add that or is it modern? This must be a beautiful edition, because the catalog card also mentions the “ornamental borders” on the title page and within the text.

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The cards can indicate a name change.

 

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The cards can also indicate how subject designations change.
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I enjoyed reading this book. And I think the original cover art is the best I have seen on any other edition.

__________

My Edition
Title: The Card Catalog: Books, Cards, and Literary Treasures
Author: Library of Congress
Publisher: Chronicle Books
Device: Hard cover
Year: 2017
Pages: 224
Full plot summary

Challenges: Library Love